Beijing News Annual Performance List Votes 丨 2019 Best Performance

Beijing News Annual Performance List Votes 丨 2019 Best Performance
In addition to voting for dramas, the Weekly List of Sauna Night’s Most Artistic Performance List will also recommend concerts, operas, dances, musicals and other major art categories that have been performed in Beijing to select the best performance of the year.On the basis of previous rankings, we invited a professional evaluation team to vote. The following is the best performance of 2019 to attend, waiting for your vote.Note: The deadline for voting in this issue is 12:00 on January 8th, and each category is sorted by performance time.Concerts: Muti and Chicago Symphony Orchestra Concert Time: January 25-26, 2019 Venue: National Theatre Concert Hall Host: Ricardo Muti Performance Team: Chicago Symphony Orchestra Photography: Todd RoweSunberg Riccardo Muti visited the National Theatre for the first time in 2016 with the Chicago Symphony Orchestra.The performance was his work on the stage of the National Grand Theater Concert Hall after three years.As the representative of the world’s highest level master conductor, Muti has held the London Philharmonic Orchestra, Philadelphia Symphony Orchestra and other world-renowned orchestras, and has served as the artistic director of the La Scala Opera House in Milan for 19 years.In two concerts, Ricardo Muti and the Chicago Symphony Orchestra brought Brahms’ “First Symphony” and “Second Symphony” and Tchaikovsky’s later works to the Chinese audience.The classics such as “Symphony No. 5” and Symphony Suite “Fantasy Night” by Rimsky-Korsakov.Xia Yi and Lucerne Festival Orchestra Concert Time: October 12-13, 2019 Venue: National Theatre Conductor: Ricardo Xia Performance Team: Lucerne Festival Orchestra Photography: Wang Xiaojing Time LapseFor two years, the Lucerne Festival Orchestra was personally “headed” by the conductor master Ricardo Shay and returned to the National Theatre.In the first performance, Shay and young pianist Alexander Malofyev performed two classic works of Rakhmaninov.It is worth mentioning that 2019 is the tenth anniversary of the Lucerne Festival Orchestra’s first show in Beijing, and Mahler’s work has also become an important node connecting these two historical moments.In the second performance, Shay and the Orchestra presented Mahler’s “Sixth Symphony”, which echoed the Mahler’s “Symphony No. 1” performed by Abaduo’s group in Beijing 10 years ago.Concert of Vladimir Ashkenazi and Mahler Chamber Orchestra: October 20, 23, 25, 2019 Venue: Beijing Poly Theater Conductor: Vladimir AshkenaziTeam: Four years after the photo provided by the organizer of the Mahler Chamber Orchestra, the Mahle Chamber Orchestra is back at the Beijing International Music Festival.Of the three performances, the first was performed by Ashkenazy Orchestra and performed with the low baritone singer Shen Yang to perform “The Echoes of the Twentieth Century”.In the second performance, the Mahler Chamber Orchestra continued to play the “Flowers” in Mahler’s “First Symphony” under the direction of Ashkenazy; the violinist James Heinez and the orchestra performed ProkofiyeThe title of “The First Violin Concerto”, which was written by Fu at the age of 26.In the last concert, the new conductor Vicente Alberola stepped onto the podium and used Chen Qigang’s “Go West Exit”, Zhou Tian’s “Rhyme” and “Collins Reading Chinese Poetry Collection”, and Du Yun’s “Talantara”The works of four contemporary composers in People “Cockroaches” announce to the world: Mahler Chamber Orchestra is a future-oriented orchestra.Musical “Rock Mozart” Time: February 22-March 10, 2019 Venue: Tianqiao Art Center Composer: Dove Attia Starring: Michelangelo Le Conte, Nuno Resende, Laurent· Ban, Fannie Dreeg and other sponsors for the photo “Rock Mozart” is a musical that “points his life with Mozart’s heart”, a breakthrough drama arrangement and visual presentation, this drama was in September 2009The premiere at the Paris Coliseum caused a sensation.”Rock and Roll Mozart” is a musical with the main role of classical music master Mozart, but it boldly uses rock music with classic Rococo style dance, modern expressions and the gorgeous stage of the European court, the unrestrained talent of a generation of music masters under a new interpretationAmbilight, but return to the original, the focus is still on freedom and dreams, one side is “Mozart”, the other is “rock”, perfectly balancing the traditional aesthetic and modern and modern taste, satisfying the passion of young audiences.”Rock School” Time: March 22-April 14, 2019 Venue: Tianqiao Art Center Composer: Andrew Lloyd Webber Screenplay: Julian Ferres Director: Lawrence Conner Photograph by the organizer”Rock School” was adapted from the film of the same name directed by Richard Linklater in 2003, and the musical basically continues the story of the film.In the process of adapting “Rock School”, Andrew Lloyd Webber hired Julian Ferres, the founder of “Downton Manor”, to write the script, and invited Broadway to reposition the musical “Tragic World” in 2014The director, Lawrence Conner, directed the play.The team of the Chinese tour used the original Australian bancas, and the details of the entire drama were completely consistent.The most eye-catching are the 12 energetic little actors, these little actors are only 9 to 13 years old, and some are not as high as their own guitars, but they have ignited countless laughs and tears.Original children’s play “Wandering Elvis in the Stadium” Time: July 20-21, 2019 Venue: Beijing Theater Screenplay: Wang Xiaoning Director: Zhang Hui Starring: Liu Bingchen, Yi Jiajia, Peng Zitru, Huang Chengcheng, Chen Yadi and other sponsorsPhoto courtesy of Fang “The Wandering Elvis of the Stadium” is a children’s stage drama originally created by the crew, which combines warmth, adventure and fantasy. This children’s drama is different from the traditional way of expressing young children from the director to the first.All the actors are “horns” who are well-received and well-known on the stage of the drama today.As a folk production, “The Stray Elvis of the Stadium” consciously practises an aesthetic suitable for children who grew up in the Internet era in terms of stage colors, character costumes, actor performance rhythm, and multimedia and performance coordination.Feel.In the simple stage and actor’s modeling ability, it reveals a very dynamic urban life feeling, which can be regarded as a rare masterpiece in domestic children’s script works in recent years.”Notre Dame de Paris” 20th Anniversary Edition Time: August 16th-September 1st, 2019 Venue: Flyover Art Center Original: Roald Dahl Lyricist: Luc Pramonton Composer: RichardPhoto courtesy of the organizer of Corsiante The 20th anniversary edition of Notre Dame de Paris, with profound and powerful modern music, and a highly visual stage setting, effectively expresses the evil acts of the original people against the church people and the aristocracy.The breakdown of the spirit of morality is a tribute to the spirit of benevolence.The whole drama is transitioned with 53 golden songs. “One sings to the end, there is no dialogue.” All the plots replace the “rock opera” like singing or chanting. It is called “the musical with the most songs in the drama” in history.”Matilda” Time: November 21st-November 24th, 2019 Venue: Beijing Poly Theater Original: Victor Hugo Lyricist: Tim Minchin Composer: Tim Minchin Organizer for the picture “Matilda》》 Is a very high-quality original musical production in the West End of London. The stage design of this work is one of its highlights. As a family fun show featuring young children, the stage design fully takes into account children ‘s perspective and aesthetics.At the same time, the organization and choreography that amazes both adults and children are also added.The children ‘s actors in “Matilda” alternately show amazing maturity and super high stage skills. The background of the alphabet blocks vividly shows that Matilda used language and text to resist the background of the adult story. Through the story ‘sAdvancement, the stage setting also added a number of highlights such as flying swings and rotating lattice stairs.The five-generation version of the “Peony Pavilion” by the Zhejiang Kun Opera Troupe of the Opera category Time: July 14-15, 2019 Venue: Changan Grand Theater Original: Tang Xianzu Performance: Shen Shihua (World Generation), Wang Fengmei (Sheng Generation), Zhihong(Show character generation), Hu Ping (many characters generation), Wu Xinyi (generation character generation) Photography: sauna, night net Guo Yanbing Zhejiang Kunju Opera Troupe was invited by Zhejiang opera Beijing Zhou Zhou to bring “The Story of the West Park” and “Peony Pavilion”Ben went to Beijing to participate in the show.The biggest highlight of the performance is that the five generations of Kunqu Opera inheritors from the Kunqu Opera Troupe of the World, Sheng, Xiu, Wan and Dai, played the role of Du Liniang in the book Peony Pavilion in the form of a one-man one-fold show, presenting the audience with exclusive ZhejiangKun’s “five generations in the same house”.Among them, the oldest Shen Shihua and the youngest Wu Xinyi are 63 years old. This is also the first time this version of “Peony Pavilion” has performed in Beijing.China Critics Theatre “Tears in the New Pavilion” Time: December 28-29, 2019 Venue: National Local Theatre Performance Screenplay: Zheng Huaixing Director: Wang Qing Performance Group: China Critics Theatre Starring: Yu Haiquan, Guo Liyin, Du Jian, ZhaoPhotographs by Yan, Han Lijiao: Wang Ning’s play “Xin Ting Tears” is based on the famous playwright Mr. Zheng Huaixing’s famous works.The play was first created in the early 1980s and won the first National Excellent Screenplay Award in 1982, and was regarded as a new variable in historical drama.”Xin Ting Tears” dance beauty boldly uses the most freehand way, combining tradition and modernity with minimal visual language.Music creation adds a lot of musical elements from the Wei and Jin Dynasties on the basis of maintaining the characteristics of the critical tune of the drama.The drama “Xin Ting Tears” can only be regarded as a “dark horse” in Chinese opera circles at the end of 2019 in terms of literature, thought and art. It is also a rare masterpiece among many re-created rehearsal operas.Opera “Pearl Collector” Time: May 15-19, 2019 Venue: Opera House, National Theatre Composition: George Bica Director: Wim Wendez Conductor: Donato Lentetti: Olga Peregacchico, Francesco de Muro, Alfred Daza and other national theatres for the opera “Pearl-Craftsman” by one of the “Four New German Movie Masters”, Director Wim Wendez directed for the first time across the border.This release of Des uses the “flashback” technique in the film to visually deal with the background of the story, boldly leaving the stage empty to present the mysterious and legendary Sri Lankan seaside, the stage is full of beaches,At the same time, the stage surface simulating the pearl material also makes the audience feel as if they are in a shell.Under the precise effect of the light, this stage will switch between the beach, the glade, the tent and the execution ground.The costumes of the actors have no obvious characteristics of the times, but they are exotic and can reflect the personality of different characters.Edita Gruberova and China Philharmonic Orchestra Classical Opera Aria Concert Time: October 9, 2019 Venue: Beijing Poly Theater Conductor: Peter Valentovic Performance: Edita GrubBerova organizer provided a picture of the 73-year-old legendary soprano Edita Gruberova sang the excerpt of “Romera of Ramermore” in this concert.In addition, the classic excerpt from the Rossini opera “Barber of Sevilla”, which she sang, “Wonderful Songs Sway in the Wind” is also commemorative.In 1968, Gruberova made his debut on the opera stage is “The Barber of Seville”.The climax of the concert appeared at the end. In the cheers of the whole “Bravo”, Gruberova returned to the scene three times.After the light interpretation of the traditional Chinese folk song “A Beautiful Jasmine” and the selection of “Song of Laugh” by Johann Strauss’s “Bat”, she was invited back to the center of the stage by the wave of applause when sheThe lyrics of “Love You China” sang from the mouth of this “European Nightingale”, which immediately triggered a chorus of the audience.”The Fall of Faust” Time: October 21, 2019 Venue: Beijing Poly Theater Conductor: Charles Dutua Singer: John Raylier, Paul Groves, Lux Sandra· Donoise, Sato Tahiro performance team: Shanghai Symphony Orchestra Tokyo Philharmonic Chorus Beijing International Music Festival for the picture The 83-year-old Charles Dutoy and the Shanghai Symphony Orchestra collaborate with John Raylier and Paul· Groves, Luk Sandra Donose, Sato Tahiro and the copyrighted Tokyo Philharmonic Chorus on the stage of the Beijing International Music Festival, played for the death of BerliozThe 150th Anniversary is dedicated to the legendary masterpiece “The Fall of Faust” which is two hours long.As early as 2002, conductor Yu Long directed the Chinese Philharmonic Orchestra to premiere the pinnacle of this French romantic opera in the music season.Before the performance, “The Fall of Faust” has not been staged in Beijing for 17 years, and Dutu’s interpretation will become a memory of this work for a new generation of fans.Dance class Marahov and friends ballet boutique gathering time: April 29-30, 2019 Venue: National Theatre Artist: Vladimir Marahov and other nine dancers for the National TheatreAccompanied by the reputation of “Dancers of the Century”, Vladimir Malahov attended the stage of the National Grand Theater and presented eight wonderful dancers to the audience to present a wonderful performance.In the two-day performance, there are 15 works of classical ballet and modern ballet.Among them, there are selected episodes of classic fragments such as “Esmeralda”, “Don Quixote” and “The Nutcracker”, as well as unique and modern ballet works, such as the creation of 2015 by choreographer Benjamin Middle”Lonely Together”, “Park” created by the Paris Opera Theatre in 1994, etc.In addition, Malahov devoted himself to the male version of “The Death of the Swan”, bringing a unique and novel experience to the audience with soft dance and light jumping.”Pirate” and “Giselle” of La Scala Opera House, Italy Time: August 8-11, 2019 Venue: National Grand Theatre Performance Team: National Grand Theater of La Scala Opera House, Italy Pictured as 2019The opening performance of the National Grand Theater Dance Festival, the first stage performance “Pirate” is a brand new version of the La Scala Theater Troupe just premiered in 2018, and this is also the first time to meet with Chinese audiences.Another drama “Giselle”, co-authored by choreographers Jane Kallary and Jul Pero, has premiered since 1841, and the play has become the world’s ballet troupe with the most performances and attendanceOne of the highest classic dance drama.For this performance, the La Scala opera group will reproduce the original original version of the original 178 years ago, and continue to use the 1950 French ballet superstar Yvette Sauville to improve the work. In the work structure, action style, dance beautyClothing and other aspects are restored to the greatest extent.Cloud Gate Dance Collection and Tao Body Theater “Exchange Work” Time: November 14-17, 2019 Performance Location: National Grand Theater Choreography: Lin Huaimin, Zheng Zonglong, Tao Ye Performance Group: Cloud Gate Dance Collection and Tao Body Theater Photography:Xiao Yi’s highly respected choreographer Lin Huaimin retired from the Cloud Gate Dance Collection he founded at the end of 2019. On the occasion of farewell, he released the last work “Exchange of Cloud Gate Dance Collection and Tao Body Theater”.”Dance Dance Collection” and “Tao Body Theatre” performed together, and three international choreographers-72-year-old Lin Huaimin, 43-year-old Zheng Zonglong, and 34-year-old Tao Ye, each presented their original works-“”Autumn” “Multiplication” and “12”.”Exchange” became the last work planned by Lin Huaimin for the Yunmen Dance Collection, with a sense of heritage and handover.”Eternal Radio Wave” Time: December 6-8, 2019 Venue: National Grand Opera Opera Writer: Luo Huaizhen Director: Han Zhen, Zhou Liya Composer: Yang Fan Performance Team: Shanghai Song and Dance Troupe Performance: Wang Jiajun, HouTeng Fei, Zhu Jiejing, Wang Jing, Deng Yun, Yu Tingting, etc. Photography: Wang Xufeng’s dance drama “Eternal Wave” takes the true deeds of Li Bai, one of the “100 heroic models dedicated to outstanding contributions to the founding of New China”On the basis of a long history, it incorporates artistic elements such as youthful colors, red memories, romantic feelings, spy wars, etc. Through a unique form of dance, it performs a new interpretation of the red classics.Wait until the old Shanghai’s urban features are presented in detail on the stage.”Electrical Waves that Never Die” is a work that “today’s post-80s pay attention to the post-80s of the last century and moved the current post-80s through creation.”In 2019, the script has continuously won the “Wenhua Award” and “Five One Project Awards”.Matthew Byrne’s “Swan Lake” Time: September 5-8, 2019 Venue: Flyover Art Center Choreography: Matthew Byrne Starring: Max Westwell, Liam ·Mowell et al.The sponsor’s picture Matthew Byrne’s “Swan Lake” follows Tchaikovsky’s music and plot summary, but has made subversive adaptations in characters and plots.In the original book, the demon turned the beautiful girl into a swan, but the power of love and justice finally defeated evil.In this version, Byrne has made a unique British adaptation for the modern 20th century viewers who are no longer satisfied with the “prince and prince live happily together”.Byrne’s subversive adaptation of “Swan Lake” won the Oliver Award and two Tony Awards in one fell swoop.Breaking through the flawless character set of the fairy tale characters in the original story is Matthew Byrne’s realism stage philosophy.Sauna, Night Net Editor Liu Zhen Xu Meilin Proofreading Lu Qian Wu Xingfa